I'm a huge fan of the singular sound of Jane Ira Bloom's soprano saxophone. It's a sound so pure and so beautiful that it almost sounds electronic as it cuts through the air to your ear.
It's rare, of course, for a musician to focus only on the soprano sax. It's even more rare for a jazz musician who is not a singer or a pianist to be a woman. Bloom, in short, is a very rare player. Check out out latest JAZZ TODAY column about her here: Jane Ira Bloom's Sinuous Soprano.
Bloom's latest recording, Wingwalker, extends her long tradition of fine and bold programs. Her latest quartet features the pianist Dawn Clement, Mark Helias on bass, and her longstanding drummer Bobby Previte. Bloom is still using "live electronics" to thicken and process slightly the sound of her horn, though this gimmick is utilized with considerable skill and subtlety. And Bloom still walks the line between great loveliness of form and a certain beyond-the-harmony daring in how she plays.
Jane Ira Bloom, now and always, plays with with feminine grace but not a hint of cliche or schmaltz. She still sounds mesmerizing.
No comments:
Post a Comment