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The new version here begins with Gomez playing a classical-tinged bowed solo that begins freely away from the melody and then brings us in. In “Part II”, Corea takes the baton from the bassist as a solo pianist and brings the trio into a swinging, mid-tempo exploration. The piano references the melody in places but not much, with Motian playing his standard but fragmented version of swing and Gomez providing accompaniment that is better heard as commentary, with dramatic bursts of plucked melody rising through the conversation every few bars. When Gomez takes his proper solo, it’s Corea who is impossible to suppress, and finally the song moves into a final phase where the rhythmic play becomes more complex. It is decidedly not a fragile ballad performance that another Evans imitator might cook up. Thank goodness.
Read by full PopMatters review of the disc here: Chick Corea / Eddie Gomez / Paul Motian: Further Explorations
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